Article: Top 10 Accidents of Heavy Metal (TheVine)

Heavy metal seems to be a stage-managed place with scant room for spontaneity. Iron Maiden has its nine-foot tall mummy/zombie Eddie to accompany their ostentatious sets, Slipknot are more pyrotechnic acrobats than musicians and if you ever wanted a more obvious example of gimmickry sold at bargain basement prices, you need look no further than Cradle of Filth.

Though heavy metal hasn’t been from the “streets” for a very long time, the entire genre is dependent on probability and uncertainty and has been since right from the very beginning. In honour of today's Soundwave announcement, here are ten of the most powerful examples the fickle hand of fate has had on heavy metal.

Read the list at TheVine.

Archive Column: Big Day Out, Rest of Year In - Melbourne's music festival "fatigue"

This column was slated to appear in the January edition of Melbourne City Newspaper. A change of editorial committee unfortunately meant the column did not run and is now presented here.

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“What? Another music festival?” If you’ve heard yourself exclaim this at the television, you aren’t alone. Melbourne serves as one of the world's cultural capitals. Despite the clout we proudly command, we're fast becoming inundated with music festivals, the sting of option paralysis by way of the hip-pocket becomes all too common amongst live music lovers. Since 2004, the average ticket price (nationally) has increased from $55 to $77, according to a Live Performance Australia report. The same report shows that between 2004 to 2008 there was an average growth in single-category (such as music) festivals of 88%. With festivals such as The Big Day Out, Soundwave or Summadayze costing upwards of $100 to almost $200, promoters risk ballooning the billion dollar live festival industry into an unsustainable morass, with too many choices forcing the hand of some punters to stay at home - not for lack of want, but affordability.

News Ltd. Ticketing are the owners and operators of music-focused national ticket resellers Foxtix and Moshtix, one of the major players alongside Ticketmaster and Ticketek. CEO Adam McArthur says that the upsurge of festivals is how “consumers want to enjoy their music, [considering] Australia is suited to a festival environment.” McArthur, though maintaining that festivals are good value for money - $100 might buy you over 10 or perhaps 20 bands – does admit there are difficulties arising in the industry. “People are pulling back their discretionary spending; they are making very conscious choices in how they spend their money on entertainment,” McArthur explains. Coupled with struggles to secure drawcard headline acts in view of rising costs, festival promoters are at pains to “put on diverse and interesting lineups” with some fests no longer selling out or proving unviable in the long-term.

Punters, much like Carla Carafa may spend around $1,500 to attend their favourite music festivals annually. As an “open minded” music lover, Carla admits it gets “really exhausting” in view of the scheduling of festivals, with many clustered around one major holiday period. “Big Day Out is on one week and Laneway Festival is on the week after; there’s literally three or four in the space of five weeks. It’s just a bit much,” she says. She had to ‘cull’ the Good Vibrations from her list due to cost and what I like to call “festival fatigue.”

Melbourne punches above its weight when it comes to music festivals; our ticket prices in some cases almost ten times higher than the US or UK counterparts mostly due the costs associated with traveling to Australia. It may seem trivial, but “festival fatigue” may creep into the mindsets of music lovers, harming the prospects of music festivals in the future. It's my view there’s a limit to what the Melbourne market can reasonably afford in terms of music festivals. One has to remain cognizant that they’re up against other cultural festivals such as the Melbourne International Comedy Festival or Melbourne International Film Festival. Improving choice is usually good, however keeping the pool small will encourage promoters to focus on securing more coveted line-ups which may just cure “festival fatigue” for Melburnian music lovers and keep the tunes blaring for years to come.

21st Century Facebookless Man

It's been a year. One productive, fruitful and prosperous year since I deactivated my Facebook account. I told everyone once I'd done it I wouldn't relapse once; and thankfully haven't. I kept my solemn vow never to use it ever again.

Have I missed out on anything? No. What have I gained? Quite a bit.

Once it was gone, I didn’t miss it. I broke the habit of checking it and fussing over every minute detail rather swiftly. Once the apps were removed and bookmarks purged, there was no yearning to open them up. The only times I wished I’d had it were to enter “Like this page” competitions where a prize was otherwise unobtainable in the marketplace (like signed moon rocks by a dead rock star, or something.) Even then, it’s not as ubiquitous nor an essential a tool as people would like to think.

Only a handful of times over the past year have people told me to “Check my Facebook” for a link or some other piece of trivia they insisted I just had to see. At no instance was it ever a requisite for keeping on top of events or other issues that I deemed important. In fact, it just made me work harder and smarter about what events I would attend and with whom. It increases the efficacy of your “social memory” – your ability to recall details about your friends beyond the superficial, past what they simply “like.” Labelling something usually libels it as Neil Postman would say; I’m sure people simply dismiss me as “Metal Tom” and pay no more mind to my “largeness” that contains multitudes. (I’m guilty of the same with other acquaintances, I’m sure.)

I’ve sent links to friends about Bukowski, new astronomical discoveries and octo-necked guitars via email or text message (or even called them and met up with them! Quelle horreur!) because I’ve actually remembered conversations in which they’ve mentioned such interests. Schopenhauer said to train the mind you must build its power of unaided recall; with no basis with which to “reference” what your friends like trains it well.

I tended to focus more on my enjoyment of events – I wasn’t one of those arseholes at gigs clicking photos of the band instead of actually watching the fucking band play. For example, I went to see Goatwhore and Impiety a couple of weeks ago. To my dismay, the room was awash with deep electric blue light glowing from smartphones. They were posting up-to-the-minute dispatches to Facebook about events transpiring before them, despite never actually experiencing the present fully.

Getting rid of Facebook in my experience strengthened my commitment to personal development. One aspect of this journey which requires much patience and effort is my tendency to seek approval from others and attach myself to a desired outcome. Killing Facebook (and the occasional Twitter moratorium) greatly aids the attainment of such a goal. You begin to enjoy activities and work for oneself, instead of grovelling for “likes” or pats on the head. Likewise, you tend not to conceal failures, either. It really does lend meaning to the aphorism “a good deed is its own reward.” An inward honesty is also projected outward. It builds trust and rapport with people. Likewise, you can start to feel when things are amiss; your internal “bullshit detection” apparatus activates and heightens with each day.

Bullshit detection also applies to self-reflexion and self-perception. Burying feelings and emotions almost never have any upsides. Letting them out and focusing on the root causes without bullshitting yourself maintains a mental wellbeing and working toward Dr. Ellis’ USA – Unconditional Self-Acceptance. Likewise, you tend not to settle for second best, especially in terms of relationships. Your boundaries are much more defined and active instead of passively “hiding” (read: avoiding) someone you find undesirable. A very dear friend of mine had to be cauterized out of my life as his friendship was simply too toxic and untrustworthy to hold on to. I felt much sadness and anger as a result, but it had to be done. It simply followed from the self-belief that I deserve better treatment. 

The value I place on interpersonal communication is higher. As my birthday rolled around last year, I received a handful of well-wished from friends and family. They received no electronic pats on the back for it; they did it out of kindness and genuine affection. Lengthy emails and Skype chats with friends from overseas seems to dismiss those lengthy distances in the way a few photos pushed out on a news feed every so often never could.

Over the last year it’s as if I’ve discovered killing Facebook was like my “gateway anti-drug” to personal development and lasting, strong friendships. People hum and haw at getting rid of it, as if they’ll be swallowed up into a social abyss; but nothing could be further from the truth. Your excuses are simply that. If it isn’t fun anymore then why persist? Besides, who doesn’t want liberation?