The Top 10 Metal of 2010 - #5

Returning from the inky blackness of the void we're thrust into the land of sinners...

#5

Helloween - 7 Sinners
I said in my review earlier this year that Helloween's new record is a result of "the fresh blood injected into the wintry veins of Helloween in the form of guitarist Sascha Gerstner and drummer Dani Loble...[resurrecting] a sleeping metal leviathan from the bed of mediocrity." I stand by my words since 7 Sinners greatness increases more and more with every spin.

If the band went back to the drawing board and came back with this, the time spent polishing their riffs, beefing up their sound and taking a symphonic and detailed approach to their songwriting was exceedingly well spent. The band have never been one for pomp and pageantry - and when they have they've always done it with their tongue firmly in their cheek. There's cheesy and forgettable and then there's fun and Helloween. With flutes and bombast and choirs galore they're not afraid to dig deep into their memories of childhood rock heroes to treat their cherished cliches with love to bring them new life. Yes, it's power metal at its core - but it's also a virulently catchy form of rock n' roll that deserves careful attention.

7 Sinners is a really complete Euro metal record that celebrates our diverse genre from past to present and adds to the future giving it the respect it deserves. From bluesy licks, pounding thrash rhythms, touches of death metal vocals it screams from the high heavens that Helloween aren't just a power metal band, they are band that plays - and loves - heavy metal music.

On this record they ask each and every listener - Are You Metal? If not, that's fine. You're just missing out.

The Top 10
#6: Dark Tranquillity - We Are the Void

The Top 10 Metal of 2010 - #6

Flung throughout the cosmos we pass out of this existence and fall into the crushing darkness and into...The Void!


#6 
Dark Tranquillity - We Are The Void
Some bands are born great, others acquire greatness and few have greatness thrust upon them. Dark Tranquillity is one of the rare bands that have only served to improve their standing within metal over time, consistently releasing quality records that set trends rather than pander to them.

We Are the Void is a remarked improvement on Fiction, an album I felt was more of a proving ground for what was to come. Spine-chilling in its execution, the openers possess a burning despondency as an undercurrent – riffs are mammoth and unrelenting. Tracks like The Fatalist recaptures their death metal meets Depeche Mode bleakness they once had undisputed dominion over in Damage Done but until now left by the wayside. Mikael Stanne’s clean vocals make a welcome return in the successor to Format C: For Cortex, The Grandest Accusation.
They drain us with the colorless and inhuman Arkhangelsk only to amp us up with I Am the Void, a jagged riff plunging like a snarling beast baulked of its prey, guitars wreaking havoc as they streak by.

There’s scorching headbangers on here, pensive moments and everything that makes melodic death metal great – as well as some new sinister tricks and turns. It’s definitely not metal by numbers and the leadwork sounds lush yet jarring but endlessly enthralling. Mr. Stanne’s lyrics are insightful and chilling as always, his use of the English language almost peerless in metal. The combination of modern crunch and their classicalist dalliances as heard in their earlier work is simply a delight to behold. Well done, Dark Tranquillity!

(Kudos to Niklas Sundin appearing twice in my end of years honors list...again.)

The Top 10

The Top 10 Metal of 2010 - #7

Seeing as we're already in space we hop aboard the Discovery One to rendezvous with the Star Child at Saturn...

#7
Martriden - Encounter the Monolith
Martriden are troupers. Being dumped from their previous label they did what any other reasonable musician would do - go ahead and record an album anyway.

Thus we have Encounter the Monolith, a curious and intriguing mixture of their uniquely pummeling blackened death metal, acoustic meanderings and Gojira style obliqueness, topped off with galactic sweeps of keyboards, bludgeoning guitars and gruff, acidic vocals. Inspired by 2001: A Space Odyssey, it does somewhat feel like an authentic yet abstract musical version of the book; alienating and wonderful yet somehow human and triumphant in its approach.

Made up of six lengthy songs - more like movements - it has an uninterruptable and trancendental flow to it, much like Green Carnation's Light of Day, Day of Darkness or Crimson by Edge of Sanity. Similarly, they have a penchant for writing complex jams and venturesome riffs that strengthen the integrity of the concept while upholding their renowned granite-like edge. If only all blackened death metal could be this down to earth and true to its black and death metal roots as well as this good at the same time!

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