The Top 10 Metal of 2011 - #6

Frolicking about in the forest, our hearts quicken as we prepare to flee from a mythical beast known only as The Hunter...

#6

Mastodon - The Hunter 

“Yeah man, the new Mastodon album is okay,” a perpetually carping “fan” confides to me, “but it’s too accessible.” Forget you and your hipster pals, man. This album kicks your skinny-jean clad arse, dude. The great thing about holding the esteem of not only metaldom but the entire rock scene (and TIME magazine, for that matter) is that any ludicrous idea is welcomed as genius. For Mastodon’s wily fingered rhythm section, meat and potato chops sound just as thrilling as Drop-C pentatonic reverse whatever-the-hell, room filling simplicity as good as polyrhythmic pretentiousness. Mike Elizondoteases every unpolished burr from the frets of each of these scruffy Southerners, every song lending itself to the concept yet standing triumphantly alone. Swampy and booze-soaked (possibly dope enthroned?) swagger abounds on Curl of the Burl and wondrous, trance-like corridors open up as Troy Sanders’ nasally chants “You’re on fire!” in Stargasm – so convincingly may I add, after a few tokes you’d pat down your legs just to make sure. Bill Kelliher confidently soars full-throated on the theatrical Octopus Has No Friends; theramin nuttiness and robotic apparitions pierce through the space rock gem Bedazzled Fingernails meanwhile richly layered guitars on The Sparrow build up so deftly and seductively there’s only one option left once the disc is over. Press play again. 

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The Top 10 of 2011

The Top 10 Metal of 2011 - #7

Setting sail across the Atlantic we arrive and disembark upon a technicolor world of oddity, innocence and promise...

#7

Fair to Midland
- Arrows and Anchors

I know, the moaning will give me a headache and I can already anticipate sloshing around in the piss as you intimate ever so discreetly that Fair to Midland aren’t quite metal, actually; but fuck me dead – they’re more metal than some of the bullshit that passes for it these days. That said; the music sounds resplendent and playful as ever, still retaining that hotheaded energy that seems to effortlessly glow from each and every child’s imagination. Confluences of folksy banjo, warm synthesizer and of course, generous servings of hulking distorted guitars mosey on over while the incredible, dizzying voice of Darroh Sudderth gives the record its wings as he takes flight; a man that can belt out crystalline vibrato in tandem with muddy, gruff snarls is worthy of much praise. Couple it with an unmatched creativity and unparalleled musicianship across an impossible diversity of instruments it deservedly garners quite a bit indeed.

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The Top 10 of 2011

The Top 10 Metal of 2011 - #8

A cab collects us from 17th Street and dumps us in the distant past, to a time where the Celts ruled with iron hands over their Emerald dominion...

#8
Primordial - Redemption at the Puritan's Hand

To be quite honest; I’ve always heard of Primordial but never paid any mind to them (in my incalculable folly); until a chance spin of one of their promo tracks in my car alerted me to their indomitable presence. It was one of those “Where have these guys been all my life” moments mixed with a sense of incredulity that I’d been foolish enough to only superficially hear them until presently. Nevertheless, Primordial’s inimitable sense of dense texture and dogged resistance to the lock down of riff manufacturing radiates outward in Redemption, evoking a proud and fervent sense of the arcane Celtic highlands. Careworn fingers can be heard sliding across strings and raw throated laments only serve to heighten the appeal of their chilling brand of black metal. There aren’t many records that can transport you to another time that only few have stood and watched, but Primordial are undoubted masters at whittling down at your conscious soul until you’re no longer tied to the present, sweeping you away with their despondent odes.

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The Top 10 of 2011